FOREST LANDSCAPE OF DESCHAMPS-A STUDY OF MATERIALS AND TECHNIQUES FOR CONSERVATION

نوع المستند : المقالة الأصلية

المؤلف

Cairo University, Giza, Egypt

المستخلص

Non-destructive methods to study a painting belonging to the French painter Deschamps Jean Pascal carried out using scanning electron microscope (SEM.), X-Ray diffraction (XRD), infrared analysis method, gas chromatography, optical light microscopy (OLM) and micro chemical analysis. The French painter Deschamps Jean Pascal was born in Paris at the beginning of the 20th century. He was a member of the French Artist Salon. He exposed his paintings in this Salon prior to 1939. Materials and reconstruction of this painting have been studied. The size of the painting is 269x 360 mm. The support is made of straw paper board, and alla prima technique is used. The artist's work is monochrome in tone. Raw umber, Venetian red, cerulean blue, zinc white are the main pigments in the painting. The oil painting losses its artistic image, i.e. the darkened varnish, the two lacunas, and the acidified strawboard which is very brittle. The conservation treatment used suitable materials and methods. A new method was used to protect the board of the painting from high relative humidity or even from the water making it waterproof. The experimental study was made to confirm that this material is a appropriate one for this subject.

الكلمات الرئيسية

الموضوعات الرئيسية


References
Article reference:
- Browning B. L., The analysis of paper. INC, New York, 1980.
- Burge M. D., Reilly M. J. & Nishmura W. D. Effects of enclosure
paper and paperboard containing lignin on photographic image stability.
JAIC 41, 279- 290. U.S.A., 2002.
- Favaro M., Vigato P., Andreotti A. & Colombini M. La Medusa by
Caravaggio: Characterization of the painting technique and evaluation of
the state of conservation. 295-305. Italy, 2005.
- Flik J. Warsztat malarski Lukasza Cranacha Starszego. Acta
Universitatis Nicolai Copernici, Zabytkoznawstwo i Konserwatorstwo
XXI. 47-55. Torun, 1994.
- JCPDS. Index to the Powder Diffraction file. American Society for
Testing Materials. Pennsylvania. U.S.A., 1967.
- Katlan A. The American artist's tools and materials for on-site oil
sketching. JAIC 38, 21-32. U.S.A., 1999.
- Lienardy A. Evaluation of seven mass deacidification treatment.
Restaurator 15, 1-15. Germany, 1994.
- Phibbis H. To glaze or not to glaze an oil painting. Preservation
practice, National Gallery of Art, 104- 108, Washington, 2004
Vicente J., Adelantado J., Carbo M. Castro R. & Reig F. Identification
of Lipid Binders in old oil paintings by separation of 4-bromomethyl-7-
methoxycoumarin derivatives of fatty acids by liquid chromatography
with fluorescence detection, Spain, 2005.
Book reference:
- Abdel Hamid H. Scientific approach for restoration and conservation
of manuscripts, wood and textile. Cairo, 1984.
7. Materials
Beva 371, Plextol B 500, and Japanese paper:
Company: Restauro-Technika, Supplier: Slawomir Prezedpelski
Address: 87-100 Torun, Poland
tel. +566740389, +566511923,
Fax +566511923
e-mail: restauro@restauro.com.pl.
Wacker BS 1001: Company: Wacker-Chemie GmbH, Werk
Burghausen Germany